cinecode previs:
your budget's bff

shows that have leveraged cinecode


roger matthews
sr. engine developer
nancy jundi
executive animation producer

"you're getting a preview of the cinematic view and can plot everything out before you're on set - knowing exactly which lenses you want allows you to better arrange your day with your directors . . ."

lasso s3
our kicks go hard
we dont say goodbye, we say see you soon.
lil dicky
watch dave blow up @ the met!
cinecode develops a final-vis animation.
american born chinese
it's a falcon! it's a tiger! it's... a fish?
soaring high as a falcon then morphing into a tiger...and a fish? watch the infamous scenes come to life in this side by side.
side-by-side lasso s2
tricks that aren't for kids
the second season of ted lasso went hard on the field, see all the action from the beginning!
side-by-side umbrella
time to tame some sparrows
some truly legendary battles went down in hotel oblivion. watch the power of previs unfold.
dfttalks: practical previs
the magic of cinecode
join the neese twins & dft ceo/founder in talking the tech they helped launch without a budget.
cinecode 2021/2022 reel
a live editable environment
cinecode utilizes game engine technology to allow productions to plan their shoots through previsualization.
umbrella academy previs
the drop @ dft podcast ep. 401
a behind-the-scenes look into some of the most complex shots and moments from season 2 and sneak peeks into season 3!
wtf is cinecode?
the drop @ dft podcast ep. 103
cinecode's formidable brain trust dives into the world of previs, techvis, lidar & the many shows leveraging this technology to dream big while saving time & money
ted lasso previs
the drop @ dft podcast ep. 204
team lasso's performance on the pitch gets a bit of help in previs. katelyn hollenbeck, lasso's lead post super, joins us to talk about being on the virtual pitch, in a game engine.

" . . . you're essentially putting your shot list together. you're able to get technical coordinates and utilize a fully scaled model to place set pieces, determine the proper lenses, create a camera look and put all of that into a storyboard."
– cynthia pusheck, asc, cinematographer our flag means death s1

3475 cahuenga blvd. west
los angeles, ca 90068