"you're getting a preview of the cinematic view and can plot everything out before you're on set - knowing exactly which lenses you want allows you to better arrange your day with your directors . . ."
our kicks go hard
we dont say goodbye, we say see you soon.
watch dave blow up @ the met!
cinecode develops a final-vis animation.
american born chinese
it's a falcon! it's a tiger! it's... a fish?
soaring high as a falcon then morphing into a tiger...and a fish? watch the infamous scenes come to life in this side by side.
side-by-side lasso s2
tricks that aren't for kids
the second season of ted lasso went hard on the field, see all the action from the beginning!
time to tame some sparrows
some truly legendary battles went down in hotel oblivion. watch the power of previs unfold.
dfttalks: practical previs
the magic of cinecode
join the neese twins & dft ceo/founder in talking the tech they helped launch without a budget.
cinecode 2021/2022 reel
a live editable environment
cinecode utilizes game engine technology to allow productions to plan their shoots through previsualization.
umbrella academy previs
the drop @ dft podcast ep. 401
a behind-the-scenes look into some of the most complex shots and moments from season 2 and sneak peeks into season 3!
wtf is cinecode?
the drop @ dft podcast ep. 103
cinecode's formidable brain trust dives into the world of previs, techvis, lidar & the many shows leveraging this technology to dream big while saving time & money
ted lasso previs
the drop @ dft podcast ep. 204
team lasso's performance on the pitch gets a bit of help in previs. katelyn hollenbeck, lasso's lead post super, joins us to talk about being on the virtual pitch, in a game engine.
" . . . you're essentially putting your shot list together. you're able to get technical coordinates and utilize a fully scaled model to place set pieces, determine the proper lenses, create a camera look and put all of that into a storyboard." – cynthia pusheck, asc, cinematographer our flag means death s1